From a pseudo-political party to a religion of identity

Navin Rawanchaikul reimagines the visual language of old political propaganda —
woodblock prints, red books, and heroic portraits — turning them into a space of irony and self-reflection.

By presenting himself as the “leader” of a fictional 𝙉𝙖𝙫𝙞𝙣 𝙋𝙖𝙧𝙩𝙮, the artist parodies the idea of power, faith, and ideological devotion, inviting viewers to question who we choose to follow and what beliefs we unconsciously absorb.
In an age saturated with media and persuasion, these works transform the imagery of control into an expression of freedom.