extend the artist’s 𝙉𝙖𝙫𝙞𝙣 𝙋𝙖𝙧𝙩𝙮 and 𝙉𝙖𝙫𝙞𝙣𝙞𝙨𝙢 (2007) projects, transforming the visual language of socialist propaganda into a space for irony, identity, and self-reflection.

Through red-and-black compositions reminiscent of Mao-era posters, Navin humorously casts himself as the leader of a fictional utopia, while inviting us to reconsider the power of collective belief, representation, and belonging.